Allegiant

Although I will try to avoid major SPOILERS, for those of you interested in reading Veronica Roth's Divergent series, you'll probably want to stop reading this review.

I was really impressed by Veronica Roth's story when I began this series with Divergent, reviewed here. Now that I have read Allegiant, the conclusion to the trilogy, I have mixed feelings. Divergent has not lost its luster. And there were aspects of this final novel that still impressed me. I'll get to those in a minute. But overall, Allegiant just wasn't as easy to read for various reasons. There's not as much movement and danger as in the first two books. There's a lot of sitting around thinking. The book is also narrated differently, by two main characters rather than just Tris. And the biggest cause of my mixed feelings is the end. It's so daring (like the Dauntless!) and something that's just not done (or rarely) in young adult fiction, but I'm not sure whether or not it actually works.

Allegiant has a lot to wrap up. I won't go into the details of the first two novels. You can link to my review of those above. Let's just say that in this novel, the world gets bigger. It's no longer just a place that was once called Chicago. The characters are thrust into that bigger world, so the effects of that are part of the story. But they are not completely cut off from the world they left behind, quite the opposite actually.

Identity is a big thing in this book. The factions have been terminated, but when you are raised to think along very narrow lines, that's not something you can simply shed. Tris and Tobias narrate and offer insight into this whole process of change as they come up against new injustices and have to decide whether or not to bring the revolution they began on the inside to the outside.

While I enjoyed the characters and was intrigued by the changes they were going through, this book is not particularly fast-paced. What I do like about it is that this slower pace offers the chance to really delve into some moral questions. Roth is a Christian (or, at the least, a believer in God), and though her books wouldn't be labeled as "Christian," I think her worldview really shows if you care to look. One of the big moral questions of the book is, are genetically deficient humans inferior to those with perfect genes? It's certainly not the first time such a question has been asked, but Roth puts a new spin on it. And she doesn't tackle fixing the problem with the usual simplistic, one-can-be-sacrificed-for-the-many, nihilistic, existential answers. She has characters who have those viewpoints, but she also offers something different, something more complex, maybe not as easy but better.

I was especially impressed by Roth's portrayal of broken relationships and the realistic repercussions of them. She offers a mature way of dealing with such brokenness. Both Tris and Tobias have a lot to forgive and a lot to be forgiven for. They aren't perfect heroes, and they have to live with the consequences of their choices, some of those consequences being more real than we readers might like. And in Tris and Tobias' relationship with each other, a romance that has seen the harsh light of reality, we get more of the author's perspective on what real love is and what a mature approach to love is. You don't see that often in young adult literature. Sure, there are the physical moments and romantic parts teen readers supposedly crave, but Tris and Tobias have whole conversations that are about more than their relationship and about more than their immediate trials. They think. It's refreshing.

It's clear the author wanted to present a thoughtful, meaningful story as much as she wanted an entertaining one. I appreciate that, so I wish I could give the book a higher star rating. But a few things hold me back. For one, sometimes I had a hard time remembering who was narrating. At times, Tris and Tobias sound a lot alike. Their characters and the way they deal with things are not alike, but their inner thoughts sometimes tend to be. Context did not always help me distinguish between them, and a couple times, I would think I was reading one's thoughts when it turned out to be the other's. Then, there was one morality question the author left kind of vague that I wish she hadn't. At no point does she say that Tris and Tobias have sex, and she often makes a point of saying they don't. But there is one time when she leaves it vague, seemingly leaving it to the readers to interpret what happened according to their preferences. I'm not sure of the author's beliefs on this point, but of course, I wish she had leaned toward complete abstinence, the reasons for which I have named in other blogs and won't go into detail about here. Much of the morality addressed in this book is actually quite complicated, and Roth deals with it well, but in this simpler thing, I was disappointed.

The last unfortunate thing about this book is the ending impression. I won't spoil it by concretely revealing what happens, but as I mentioned above, it's an unusual ending for young adult fiction and I'm not sure it works. Many dystopian novels end a bit sadly, if they are being honest to how life really works (or how a dystopian world would actually work). The Hunger Games series is one example of this. But the Divergent series ends on a different kind of sad note than we are used to. For the book, it works well enough and makes sense. The author does handle it in a careful manner. But it wasn't what I wanted and hoped for. It didn't satisfy me on the level I'm at when I read a book, that escapist level that honestly doesn't want the book to end just like the real world does.

Though I'm impressed by Veronica Roth's insight and depth, Allegiant just didn't resonate with me as much as her first book did. I can give it only three stars. But if you want to get in on the action, that first story is well worth it and is in process of becoming a movie, which I am very excited to see.

Source Code on DVD (2011)

This was one of those movies that I stumbled upon while browsing Netflix, and it just sounded interesting to me. Source Code is science fiction, telling the story of an army pilot, Colter Stevens, who wakes in a spacey-looking capsule to find an unfamiliar face on a screen giving him orders to re-enter the dream he's just had. In fact, his mission is to re-enter the 8-minute dream as many times as it takes to find the bomber that exploded a train in Chicago earlier that day and is planning another attack. The dream takes Stevens into the mind of one of the men on that train just before the explosion.

But here are the catches. Stevens doesn't remember how he got into the capsule or where he is, and his mission controllers aren't giving him many hints. And then there's the pretty woman he keeps waking up to on the train. Each 8 minutes that he has, he gets to know her better, and he wants to save her life. But the source code, where his mind goes to solve the mystery, isn't like that, he's told. The events have already happened; he can't save her life. As Stevens begins to realize the truth, he finds purpose and focus and rises to the challenge of what he must do.

This movie is a little like a serious version of Groundhog Day, where one man keeps living the same scenario over and over. But it's fascinating, not boring. Each time is a little different, especially as he makes different choices. And the characters are fantastic. Jake Gyllenhaal plays Stevens. Vera Farmiga plays Goodwin, the lady behind the screen who sends him on his missions and begins to get attached, despite all efforts to maintain distance and secrecy. Michelle Monaghan is Christina, the girl on the train. And the set is minimal: mostly the train and a couple rooms in a top-secret military operations base. It all adds up to great sci-fi...until the end. The end is better than I thought it would be, but at the same time, it's a little "timey-wimey" as the Doctor would say. And while Dr. Who can get away with that, a serious hour-and-a-half movie cannot as easily. My husband and I have differing viewpoints about what really happens in the end. Regardless, it's an interesting, fun sci-fi thriller with a PG-13 rating for intense scenes, violence, and just a little language. I found the rating appropriate. Three and a half stars.