Breaking Dawn, Part 1 in Theaters

I went out to a movie by myself a few nights ago. After a month of never being alone, it was nice, and I enjoyed myself. The movie was Breaking Dawn. Now, I may already have lost some of you a sentence ago, but hear me out.

I have been a fan of the books all along, and I've enjoyed the movies, however different from the books they have been. Twilight has been my favorite book of the series, with Breaking Dawn right behind it. Though others were put off by Bella's moodiness, I didn't mind it. In fact, I sort of empathized. Maybe I would have a different view now, re-reading the books, I don't know. But one thing has changed. I noticed Bella's sadness and depression in this movie like I hadn't in the ones before, perhaps because I've been surrounded by people pointing it out to me, and finally, I grew tired of it. I guess I must admit, I've been drinking the Kool-Aid, and my taste buds are looking for something new.

I still enjoyed myself, and I am still very much looking forward to Breaking Dawn, Part 2, which will correspond to my favorite part of the book anyway. I expect Bella, also, to be a changed person, but maybe that's just my hopes and not reality. The second half of the story is much more about vampires, and (SPOILERS for those of you who haven't read the books or seen this most recent movie), Bella makes a cool vampire. I think audiences will appreciate the high-stakes danger of the last part of the story, which while still about love, goes deeper than human infatuation with perfection.

I guess Bella's depression has never bothered me as much as certain aspects of her relationship with Edward. I never completely jumped ship to the Jacob fan club, believing that for Bella (as opposed to any other teenage girl), Edward was really the best choice. But I did have a problem with some of Edward's possessiveness and the way, in Bella's eyes, he could do no wrong. Undeniably, if this were a romance between two humans, we would call it a dangerous and potentially abusive relationship. And I acknowledge, Bella has never been a great role model for girls. No problem for me since I'm not looking to Bella for advice on life, but I suppose many teenage girls might be, and that is definitely a problem.

In Breaking Dawn, specifically, my attention was called to the fact that Bella is not excited to be getting married. That always bothered me. I don't have a problem with her marrying young, like some do, but she should be happy with her choice, not letting it be made for her. I did appreciate Bella's protectiveness of her unborn child. She begins to take responsibility and made her own decisions, and I don't think she should be put down for that.

I'm not thrilled about the sex scenes in the movie, PG-13 as they may be, but if they have to be there, I'm glad they take place after marriage. Small concessions. And, finally, a word about the gruesomeness of the last scenes of this first half of Breaking Dawn. The book was bad, and I was afraid of what the movie might recreate. Honestly, it wasn't as bad as the book, but for the visual media, it was bad enough. Bella grows skeletal, and the birth scene is gory. Not as much blood as you might expect, but the ideas portrayed on and off the screen tell a tale of absolute horror. Edward rips the baby out with his teeth, for instance (off the screen, but still...). I don't have a problem suspending disbelief that such a birth situation is even possible. A big deal was made about that in a magazine issue of Entertainment Weekly. So what? It's fiction. It's vampires. In that fantasy world, it makes enough sense to get away with it. But I mention the gruesomeness because it's on an R-rated level in a PG-13 movie (which probably shouldn't have been for the sex alone). I'm not sure younger teens should be going to see this, and I'm betting a lot younger than that are.

So, as a Twilight fan but not a fanatic, my overall impression of this movie was that it was slow, sometimes inappropriate, yet vaguely enjoyable on a first watch. I'd even give it three stars, but that rating is for Twilight fans. If you aren't one, don't go see this.

Stork

My husband playfully chides me for keeping 20 unread books on my shelf, especially when I frequently complain about how I can't find anything to read. How do these books even end up there? Since I get them for free, I'm not always picky. If the premise if remotely interesting, I take the book home. Lately, I've been curbing this tendency in the interest of clearing my shelf a little bit. I recently read two books (see my latest reviews) that I would never have missed if I'd left them alone, but on a rare occasion, a book surprises me, especially if it's low on my reading list. Stork was one of those.

I've been hanging onto Stork, a young adult novel by Wendy Delsol, for awhile. It came out in October 2010, and I got my advance reader's copy quite a bit earlier than that. In all the array of paranormal beings, a girl-Stork who could put souls into just-conceived babies didn't intrigue me like people who could turn into more furry creatures. I've always been more into wolves and least into birds. I like to call myself an animal person, but I think birds are the most boring of all pets. My apologies to all the bird-lovers out there. I know I'm making enemies.

Even the heroine of Stork had a strike against her for being into fashion. I'm not against fashion, but I'm the least fashionable kind of person, comfortable in jeans and a T-shirt, wearing the same shoes every day of my life.

Nonetheless, Stork grabbed me, and in two days, I'd read it from cover to cover. It wasn't so much the plot, which became surprisingly more interesting the more I got invested. Thankfully, Katla never actually turns into a stork, and there's no swaddled babies being delivered in handkerchiefs to people's doorways. But there is magic involved. Katla unexpectedly finds herself the youngest member of a secret group of old women, grannies all, who believe in the old myths and put souls into unborn babies. The souls are revealed to the members of this stork society in dreams, and the only weird physical transformation is an odd, fiery rash on their scalps, which is a physical signal for them to gather together.

But being a Stork is only one of many transformations Katla is undergoing. She's just moved from California to a small town in Minnesota after her parents' divorce, and everyone stares at her strangely in her new school. It doesn't help that the one guy she got to know before school ill-used her and pretends not to know her once school starts. And then there's the guy who keeps popping up wherever Katla goes, but he and Katla can't seem to get along.

Even with all this going on, the plot isn't what makes the book exceptional. It's Katla's voice throughout the story. Her thoughts and her dialog are always witty, packing in word plays and clever imagery in subtle ways you would almost miss if you didn't slow down to absorb them. It's not only Katla who's likeable either. The characters around her are quirky and loveable with their own brands of humorous witticisms. Stork was simply an enjoyable read.

It's hard to categorize this book. It has fantastical elements in it, but it's not fantasy. It has paranormal elements in it, and it certainly has romance, but it's not paranormal romance in the way you normally see. It's magical, but the magic is not domineering. The magical elements are almost a side plot for most of the book, and that's fine. But however you might categorize Stork, the facts remain, it was surprisingly captivating and downright satisfying.

Four bright, beautiful stars.