It has been a few weeks (I know, that is now practically the byline of this blog), but I recently read Uprooted, by Naomi Novik, and enjoyed it very much. There seem to be conflicting ideas out there about whether it's young adult fiction or not, but though it shares similar elements with YA, like a 17-year-old heroine and a fantastical storyline, I think it's more in the realm of regular fantasy, which also often has younger protagonists.
In this tale of wizards and an evil Wood, Agnieszka has a penchant for tangling with nature. Leaves, dirt, and other messes all seem to gravitate to her, and she can find plants others can't. But in her corner of the world, nature is not something one wishes to tangle with. Agnieszka's village is near the Wood, where poisonous plants and evil creatures can taint and destroy you with your smallest intake of breath or the barest scratch. A wizard called the Dragon keeps the Wood at bay and protects the nearby villages at the price of one maiden every ten years, and it's time to pick again. He chooses girls with talent and beauty, so Agnieszka knows she is safe. He will not pick her.
The Dragon is old in years and temperament, but youthful in appearance. He is shallow and petty when it comes to beauty, but powerful in magic. Preferring solitude, he avoids the politics of the kingdom as much as possible until the prince seeks the Dragon's help to find his mother, whose loss to the Wood fueled a war. When Agnieszka is thrown into the midst of the kingdom's politics, between war and the Wood, she finds herself surrounded by danger on all sides, her only hope lying in the most dangerous path of all.
I enjoyed this detour from my normal reading, more detailed than young adult and less angsty. Agnieszka is a bit of an old soul, certainly mature for her age, and even more so by book's end. I don't really mind angsty teenage stories all that much (I do read a lot of them), but this one just has an edge to it that keeps it out of that category. Maybe it's the grown-up romance (which actually wasn't my favorite part of the book; more on that in a bit). Maybe it's that the world is not so narrowly focused on the heroine, not all about meeting her needs. Maybe the thought processes are more mature or the story is darker. (Though, have you read young adult lately? I'm doubting the latter.) In any case, it was interesting to read this kind of story without some of the young adult conventions I'm used to seeing.
Speaking of conventions, a big staple of YA fiction is romance. Uprooted does have an element of romance, but it is underplayed and untraditional. And maybe that's why I didn't like it. I think underplaying the romance is an interesting way to go, but making it untraditional, as well, may upset reader expectations too much. (SPOILERS follow!) Agnieszka falls in love with the Dragon, no surprise there. But it's far from a healthy relationship. He's rude and crotchety-mean and much, much older (though YA, too, messes around with age differences--Twilight, for instance). It might help if his mind retained youthfulness, but no, he's pretty much an old fogey who's conceited and vain about his looks. While you could say he warms up to Agnieszka, he never really gets nicer. There's something good to be said for loving someone despite their flaws, of course, but in this case, the relationship borders on abusive. And a bit unbelievable...this naive, innocent girl willingly pushes past all his defenses, literal and figurative, to sleep with him? Granted, the lead-up to it is rather realistic: a certain situation causes them to become more emotionally intimate, and that bridges the gap to the physical side of things. The book has one and a half sex scenes, which I am both impressed by and annoyed with: impressed by the restraint, annoyed because I'd rather not see any sex at all.
After going that far physically, a YA book would be all about the relationship for the rest of the story. Again, this one differs in that you'd almost think they had a one-night stand and went their separate ways. In fact, I believed that nearly to the end of the book. Then, strangely, when romance had been a subplot the whole time, it got the last say. I would have liked more romance (with a better emotional response from the characters) or none at all. What there was just didn't work for me, though it was not bad to try for that kind of originality.
Where the book's romance doesn't phase some, its darkness might--its dealings with magic and witches and evil. In the realm of fantasy, those things don't bother me so much. I make a distinction between witches in fantasy (where the word implies some sort of magic-wielder, neither good nor bad by default) and Halloween or Disney witches (meant to be scary and mean and evil by default). I don't like the latter at all, but this book falls more into the first category, where the witches actually fight evil.
The darkness of this book has more to do with evil creatures and beings who poison and corrupt the good, which is an apt illustration of how good and evil correlate in the real world. In a Christian worldview, we are born sinful. It's innate. Left to our own devices, lazy about our eternal well-being, evil thrives. Thinking more scientifically, the world tends toward entropy. Either way, left alone, the world is bad. Things fall into disorder. It takes work to make things good, to make things beautiful. Disney says that Belle tames the Beast; it's a lie. In real life, pardon me saying so, the Beast would eat her heart out. All this to say that the Wood in Uprooted acts like evil really acts. It's aggressive. If you aren't keeping it out, be sure it is trying to--and it will--get in. I appreciated the truthfulness of this story's take on evil. But be warned, it's dark and heavy stuff. People in the story are corrupted or die or both. It's not for impressionable minds.
Despite the romance and the darkness, I enjoyed the style of storytelling, the magic of the world, and the way the story broadened in scope as it went on, adding layers and depth, taking the reader to surprising places by its end. I enjoyed the friendship between Agnieszka and her best friend Kasia (she's awesome!), which has more substance than the romance. I give the book four out of five stars.
Uprooted is available mid-May.
Showing posts with label friendship. Show all posts
Showing posts with label friendship. Show all posts
Tuesday, April 28, 2015
Sunday, December 16, 2012
The Darkest Minds
[DISCLAIMER: I read this book before the school shooting in Connecticut and wrote some of this before that, as well. I do not mean for this review to reflect an opinion on the shootings or have anything to do with them, but some might find it in poor taste. For sure, the timing is bad. Please do not take my words the wrong way, and please do not read further if you have been personally affected by this tragedy.]
Just in time for Christmas, you can pick up one of the best books I've read this fall. It really pulled me in with its high-stakes danger and underlying theme about being afraid of one's own power. The Darkest Minds, by Alexandra Bracken, is the first novel in a new series for young adults. As the title suggests, there's a large element of darkness to this book. It's similar to the darkness of The Hunger Games, though instead of kids killing kids, it's adults torturing and killing kids, which might be worse in some ways.
Ruby is afraid of what she can do. That's why she's kept her true abilities a secret for six years, ever since her tenth birthday. Not that she could use them anyway. Her kind, meaning kids with powers sorted and identified by colors ranging from blue to red, are imprisoned in camps, forced to work, supposedly being rehabilitated for the outside world, though aside from some experimentation, the only rehabilitation going on is that of making sure they fear and obey the guards over them. All the others of her color are gone, disposed of. As far as she knows, Ruby is the only one left, and then her secret is revealed. No one escapes the camps, but with her life on the line, Ruby manages it. But has she gone from one form of control to another? Desperate to keep her identity a secret, scarred by memories of what she's capable of, Ruby is hesitant to let anyone in, even when her heart is longing for the friendships and romance being offered her. One thing is for sure, Ruby's old life is gone, and she will have to find her own way in a new world.
I like plotlines that are a little dark sometimes. Maybe that's why I like to read dystopian and post-apocalyptic fiction. But there's more to it than just the thrill of it. I don't like a book that has no hope. So maybe that's what I like about this kind of book: the trickle of light in the night, the hope that pulls the characters through, the triumph over the trials. The higher the stakes, the better the hard-won victory. I think that's part of the appeal.
Ruby goes through a lot of internal struggle, which I really like, too. It's more than teenage angst. Ruby is powerful, and rather than use that power, she wants to escape it. She doesn't want to be dangerous, but she is. That makes for interesting internal and external conflict.
The plot is fast-paced, a chronicle of one escape after the next with truly loveable companions and complicated bad guys with varying degrees of evilness in a semi-post-apocalyptic United States. I love where the book leaves off for the sequel to pick up at. I don't want to spoil anything, but I think I can give you this: the book leaves you with one tantalizing question: is it sometimes necessary to choose a lesser evil to combat a greater one?
I almost gave this book five stars, I really did. I liked it that much. After all, I gave The Hunger Games five stars. But I couldn't quite do it, so it stands at four, maybe four and a half. Though there were tiny annoyances here and there (like the fact that Canada and Mexico would close their borders to the United States, and the reason given is that they never liked the United States and just needed a good excuse...right), the main reason is that it is truly dark and horrifying at places without the balance of a faith-based worldview. It's not too graphic, but the imagination is afforded lots of room to fill in the blanks. So, be warned, this book may not be for everyone. I do think it's appropriate enough for its targeted age group, though.
It's really too bad this book is just coming out this Tuesday because I'm looking forward to the next book already! But anticipation is fun, too, so join me and let's anticipate this next great series together!
Just in time for Christmas, you can pick up one of the best books I've read this fall. It really pulled me in with its high-stakes danger and underlying theme about being afraid of one's own power. The Darkest Minds, by Alexandra Bracken, is the first novel in a new series for young adults. As the title suggests, there's a large element of darkness to this book. It's similar to the darkness of The Hunger Games, though instead of kids killing kids, it's adults torturing and killing kids, which might be worse in some ways.
Ruby is afraid of what she can do. That's why she's kept her true abilities a secret for six years, ever since her tenth birthday. Not that she could use them anyway. Her kind, meaning kids with powers sorted and identified by colors ranging from blue to red, are imprisoned in camps, forced to work, supposedly being rehabilitated for the outside world, though aside from some experimentation, the only rehabilitation going on is that of making sure they fear and obey the guards over them. All the others of her color are gone, disposed of. As far as she knows, Ruby is the only one left, and then her secret is revealed. No one escapes the camps, but with her life on the line, Ruby manages it. But has she gone from one form of control to another? Desperate to keep her identity a secret, scarred by memories of what she's capable of, Ruby is hesitant to let anyone in, even when her heart is longing for the friendships and romance being offered her. One thing is for sure, Ruby's old life is gone, and she will have to find her own way in a new world.
I like plotlines that are a little dark sometimes. Maybe that's why I like to read dystopian and post-apocalyptic fiction. But there's more to it than just the thrill of it. I don't like a book that has no hope. So maybe that's what I like about this kind of book: the trickle of light in the night, the hope that pulls the characters through, the triumph over the trials. The higher the stakes, the better the hard-won victory. I think that's part of the appeal.
Ruby goes through a lot of internal struggle, which I really like, too. It's more than teenage angst. Ruby is powerful, and rather than use that power, she wants to escape it. She doesn't want to be dangerous, but she is. That makes for interesting internal and external conflict.
The plot is fast-paced, a chronicle of one escape after the next with truly loveable companions and complicated bad guys with varying degrees of evilness in a semi-post-apocalyptic United States. I love where the book leaves off for the sequel to pick up at. I don't want to spoil anything, but I think I can give you this: the book leaves you with one tantalizing question: is it sometimes necessary to choose a lesser evil to combat a greater one?
I almost gave this book five stars, I really did. I liked it that much. After all, I gave The Hunger Games five stars. But I couldn't quite do it, so it stands at four, maybe four and a half. Though there were tiny annoyances here and there (like the fact that Canada and Mexico would close their borders to the United States, and the reason given is that they never liked the United States and just needed a good excuse...right), the main reason is that it is truly dark and horrifying at places without the balance of a faith-based worldview. It's not too graphic, but the imagination is afforded lots of room to fill in the blanks. So, be warned, this book may not be for everyone. I do think it's appropriate enough for its targeted age group, though.
It's really too bad this book is just coming out this Tuesday because I'm looking forward to the next book already! But anticipation is fun, too, so join me and let's anticipate this next great series together!
Monday, October 8, 2012
Rise of the Elgen (Michael Vey, Book 2)
Rise of the Elgen is the second book in Richard Paul Evans's young adult series about Michael Vey, a teenager with electric powers, so if you haven't read the first, don't start here. Reading this review might spoil the first book, and if you read this book first, you'll be playing catch-up for a long time. Start with The Prisoner of Cell 25, which I've reviewed for you here. If you like superheroes and science fiction, you'll like this series.
Again, if you haven't read the first book, there will be some major SPOILERS ahead. Michael Vey and his Electroclan, other kids with assorted electric powers, are on the run. After shutting down the facility he'd been a prisoner at and recruiting some of the formerly-evil electric teens to his cause, there isn't a place on the globe that Michael can run to where Dr. Hatch won't hunt him down. But Michael isn't planning on running away. He plans on running toward the danger so that he can free his mother from Hatch's cruel hand. The rest of the electric teens, and a few friends who aren't, are deeply loyal to Michael, so he's not alone. His best friend is a brainiac. His girlfriend can read minds. Two former school enemies and bullies owe him their lives, so even though they're not electric, they're part of the group, putting all that aggression to good use now. Then there's Zeus, who shoots electric bolts; McKenna, who heats things up; Abigail, who can ease pain with a touch; and Ian, who's blind but can see living things better than anyone. And as time passes, Michael's own powers of electrocution become stronger. The Electroclan is a force to be reckoned with. But so is Hatch. He still has some very powerful electric teens on his side, and the methods he'll use to keep his people in check provide him with a very loyal and dangerous group of soldiers of his own: the Elgen. This second book of the series takes the action into the jungles of the Amazon basin in Peru.
You can get bogged down in names and details in this series, but at the same time, part is that contributes to why it's so good. Evans puts all his characters to use. None of them are just along for the ride or a pretty face (okay, except maybe Wade, poor secondary character). Each electric power comes in handy. Each character contributes, both to the physical plot and to the emotional development of the book.
There's also something very good about this series and Michael Vey, in particular. Michael wants to do the right thing. He has all this responsibility on his shoulders, but the power never goes to his head. The good characters are clearly good, and the bad characters are clearly whatever they are: truly evil or conflicted or coerced. There's in-fighting in Michael's group, but they learn to overcome it and even fight for each other, instead. It's a series about teens who don't have it all together but who do have these amazing powers they are willing to use for good, even if it terrifies them to confront evil.
That doesn't mean the book's remotely realistic, but when are superhero stories ever? Yeah, things are a little over-the-top. There are lots of helpful coincidences (a fact the book doesn't deny) and lots of impossible odds. Peru is definitely not as dangerous as Evans makes it out to be. I grew up in the Amazon rainforests; I should know.
Despite the goodness of the Good vs. Evil being really good (or maybe to balance it), the evil is pretty awful at times: torture, violence, and death. The good guys try not to kill in cold blood, but there are casualties as they defend themselves. The bad guys don't have any such scruples, of course, and I'd be disappointed in the book if it pulled punches like that. But the level of violence, particularly in the torture, may not be for everyone.
That said, however, Rise of the Elgen is a good addition to Evans's series and a book that older teens and adults alike should enjoy. Four stars.
Again, if you haven't read the first book, there will be some major SPOILERS ahead. Michael Vey and his Electroclan, other kids with assorted electric powers, are on the run. After shutting down the facility he'd been a prisoner at and recruiting some of the formerly-evil electric teens to his cause, there isn't a place on the globe that Michael can run to where Dr. Hatch won't hunt him down. But Michael isn't planning on running away. He plans on running toward the danger so that he can free his mother from Hatch's cruel hand. The rest of the electric teens, and a few friends who aren't, are deeply loyal to Michael, so he's not alone. His best friend is a brainiac. His girlfriend can read minds. Two former school enemies and bullies owe him their lives, so even though they're not electric, they're part of the group, putting all that aggression to good use now. Then there's Zeus, who shoots electric bolts; McKenna, who heats things up; Abigail, who can ease pain with a touch; and Ian, who's blind but can see living things better than anyone. And as time passes, Michael's own powers of electrocution become stronger. The Electroclan is a force to be reckoned with. But so is Hatch. He still has some very powerful electric teens on his side, and the methods he'll use to keep his people in check provide him with a very loyal and dangerous group of soldiers of his own: the Elgen. This second book of the series takes the action into the jungles of the Amazon basin in Peru.
You can get bogged down in names and details in this series, but at the same time, part is that contributes to why it's so good. Evans puts all his characters to use. None of them are just along for the ride or a pretty face (okay, except maybe Wade, poor secondary character). Each electric power comes in handy. Each character contributes, both to the physical plot and to the emotional development of the book.
There's also something very good about this series and Michael Vey, in particular. Michael wants to do the right thing. He has all this responsibility on his shoulders, but the power never goes to his head. The good characters are clearly good, and the bad characters are clearly whatever they are: truly evil or conflicted or coerced. There's in-fighting in Michael's group, but they learn to overcome it and even fight for each other, instead. It's a series about teens who don't have it all together but who do have these amazing powers they are willing to use for good, even if it terrifies them to confront evil.
That doesn't mean the book's remotely realistic, but when are superhero stories ever? Yeah, things are a little over-the-top. There are lots of helpful coincidences (a fact the book doesn't deny) and lots of impossible odds. Peru is definitely not as dangerous as Evans makes it out to be. I grew up in the Amazon rainforests; I should know.
Despite the goodness of the Good vs. Evil being really good (or maybe to balance it), the evil is pretty awful at times: torture, violence, and death. The good guys try not to kill in cold blood, but there are casualties as they defend themselves. The bad guys don't have any such scruples, of course, and I'd be disappointed in the book if it pulled punches like that. But the level of violence, particularly in the torture, may not be for everyone.
That said, however, Rise of the Elgen is a good addition to Evans's series and a book that older teens and adults alike should enjoy. Four stars.
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