I liked the premise of Kiersten White's young adult novel Mind Games. You don't see a lot of novels that focus on sisterly relationships, and while an almost-love-triangle exists in this book, it's not the primary emphasis. In fact, though there's room for romance to develop in future books, you could really say this book isn't a romance at all. It's more of a science fiction thriller and character study at the same time. Though one genre seems fast-paced and the other slow, they meld together pretty well.
Both Fia and Annie narrate the story, but the book is more about Fia, the girl with instincts so good she can almost never choose wrong, the girl who could be a weapon in the wrong hands. And, man, is Fia ever in the wrong hands. Her handler is a boy who she knows is bad and dangerous but who she wants to fall in love with anyway. He, in turn, is the son of an even more dangerous and mysterious man who collects women like Fia and Annie in order to control and use their special mind powers. Most of these women are Seers, seeing the future (like Annie), or Readers, reading minds, or Feelers, feeling emotions. Fia is none of that. She calls herself the hands. With special training and perfect instincts, she is the most dangerous of them all, a killer. And she has to remain a killer if she wants her sister to live.
The dynamics of the relationship between Fia and Annie are what this book is all about, but personally, I didn't really take to Annie. I can't say I loved Fia either, with her obsessive, angry thoughts and stream-of-consciousness narration, but she is clearly the character the author wants you to care most about...not that the reader isn't supposed to care about Annie. The reader is supposed to care about what Fia thinks of Annie, and Fia will do anything to protect her older, blind sister.
The book took longer than some young adult fiction takes me to get through, probably due to switching narrators but also due to flashbacks. That's why I said the story was part character study. We get a lot of background on Fia and Annie leading up to the present. It's an interesting way to tell a story. We get thrown right into the action, and then slowly, the specifics unwind. Interesting, yes, but I didn't love the way the story was told.
Still, having said that, what I really did enjoy was the concept of an unwilling human weapon. My husband can tell you that I love stories with powerful female protagonists. Under very different circumstances, I could have been a feminist, I'm sure. I love to see girls kick butt, and I'm a second degree black belt myself. But I also find it intriguing when a girl is powerful yet doesn't want to be. It provides for fascinating internal struggle, and in this case, it raises a lot of moral questions, too. How do you do detestable things to protect a loved one and still save your own soul? I wish there was a little more about that particular question in the book, but Fia is beyond believing she has a soul to save. Her hopelessness is understandable in light of the story, but it gets a little depressing. I do, however, like the way this first book of the series resolves itself, and I hope there is some interesting moral exploration in the books to come; the set-up is certainly perfect for it.
Three stars.
Showing posts with label human weapons. Show all posts
Showing posts with label human weapons. Show all posts
Saturday, April 13, 2013
Sunday, December 16, 2012
The Darkest Minds
[DISCLAIMER: I read this book before the school shooting in Connecticut and wrote some of this before that, as well. I do not mean for this review to reflect an opinion on the shootings or have anything to do with them, but some might find it in poor taste. For sure, the timing is bad. Please do not take my words the wrong way, and please do not read further if you have been personally affected by this tragedy.]
Just in time for Christmas, you can pick up one of the best books I've read this fall. It really pulled me in with its high-stakes danger and underlying theme about being afraid of one's own power. The Darkest Minds, by Alexandra Bracken, is the first novel in a new series for young adults. As the title suggests, there's a large element of darkness to this book. It's similar to the darkness of The Hunger Games, though instead of kids killing kids, it's adults torturing and killing kids, which might be worse in some ways.
Ruby is afraid of what she can do. That's why she's kept her true abilities a secret for six years, ever since her tenth birthday. Not that she could use them anyway. Her kind, meaning kids with powers sorted and identified by colors ranging from blue to red, are imprisoned in camps, forced to work, supposedly being rehabilitated for the outside world, though aside from some experimentation, the only rehabilitation going on is that of making sure they fear and obey the guards over them. All the others of her color are gone, disposed of. As far as she knows, Ruby is the only one left, and then her secret is revealed. No one escapes the camps, but with her life on the line, Ruby manages it. But has she gone from one form of control to another? Desperate to keep her identity a secret, scarred by memories of what she's capable of, Ruby is hesitant to let anyone in, even when her heart is longing for the friendships and romance being offered her. One thing is for sure, Ruby's old life is gone, and she will have to find her own way in a new world.
I like plotlines that are a little dark sometimes. Maybe that's why I like to read dystopian and post-apocalyptic fiction. But there's more to it than just the thrill of it. I don't like a book that has no hope. So maybe that's what I like about this kind of book: the trickle of light in the night, the hope that pulls the characters through, the triumph over the trials. The higher the stakes, the better the hard-won victory. I think that's part of the appeal.
Ruby goes through a lot of internal struggle, which I really like, too. It's more than teenage angst. Ruby is powerful, and rather than use that power, she wants to escape it. She doesn't want to be dangerous, but she is. That makes for interesting internal and external conflict.
The plot is fast-paced, a chronicle of one escape after the next with truly loveable companions and complicated bad guys with varying degrees of evilness in a semi-post-apocalyptic United States. I love where the book leaves off for the sequel to pick up at. I don't want to spoil anything, but I think I can give you this: the book leaves you with one tantalizing question: is it sometimes necessary to choose a lesser evil to combat a greater one?
I almost gave this book five stars, I really did. I liked it that much. After all, I gave The Hunger Games five stars. But I couldn't quite do it, so it stands at four, maybe four and a half. Though there were tiny annoyances here and there (like the fact that Canada and Mexico would close their borders to the United States, and the reason given is that they never liked the United States and just needed a good excuse...right), the main reason is that it is truly dark and horrifying at places without the balance of a faith-based worldview. It's not too graphic, but the imagination is afforded lots of room to fill in the blanks. So, be warned, this book may not be for everyone. I do think it's appropriate enough for its targeted age group, though.
It's really too bad this book is just coming out this Tuesday because I'm looking forward to the next book already! But anticipation is fun, too, so join me and let's anticipate this next great series together!
Just in time for Christmas, you can pick up one of the best books I've read this fall. It really pulled me in with its high-stakes danger and underlying theme about being afraid of one's own power. The Darkest Minds, by Alexandra Bracken, is the first novel in a new series for young adults. As the title suggests, there's a large element of darkness to this book. It's similar to the darkness of The Hunger Games, though instead of kids killing kids, it's adults torturing and killing kids, which might be worse in some ways.
Ruby is afraid of what she can do. That's why she's kept her true abilities a secret for six years, ever since her tenth birthday. Not that she could use them anyway. Her kind, meaning kids with powers sorted and identified by colors ranging from blue to red, are imprisoned in camps, forced to work, supposedly being rehabilitated for the outside world, though aside from some experimentation, the only rehabilitation going on is that of making sure they fear and obey the guards over them. All the others of her color are gone, disposed of. As far as she knows, Ruby is the only one left, and then her secret is revealed. No one escapes the camps, but with her life on the line, Ruby manages it. But has she gone from one form of control to another? Desperate to keep her identity a secret, scarred by memories of what she's capable of, Ruby is hesitant to let anyone in, even when her heart is longing for the friendships and romance being offered her. One thing is for sure, Ruby's old life is gone, and she will have to find her own way in a new world.
I like plotlines that are a little dark sometimes. Maybe that's why I like to read dystopian and post-apocalyptic fiction. But there's more to it than just the thrill of it. I don't like a book that has no hope. So maybe that's what I like about this kind of book: the trickle of light in the night, the hope that pulls the characters through, the triumph over the trials. The higher the stakes, the better the hard-won victory. I think that's part of the appeal.
Ruby goes through a lot of internal struggle, which I really like, too. It's more than teenage angst. Ruby is powerful, and rather than use that power, she wants to escape it. She doesn't want to be dangerous, but she is. That makes for interesting internal and external conflict.
The plot is fast-paced, a chronicle of one escape after the next with truly loveable companions and complicated bad guys with varying degrees of evilness in a semi-post-apocalyptic United States. I love where the book leaves off for the sequel to pick up at. I don't want to spoil anything, but I think I can give you this: the book leaves you with one tantalizing question: is it sometimes necessary to choose a lesser evil to combat a greater one?
I almost gave this book five stars, I really did. I liked it that much. After all, I gave The Hunger Games five stars. But I couldn't quite do it, so it stands at four, maybe four and a half. Though there were tiny annoyances here and there (like the fact that Canada and Mexico would close their borders to the United States, and the reason given is that they never liked the United States and just needed a good excuse...right), the main reason is that it is truly dark and horrifying at places without the balance of a faith-based worldview. It's not too graphic, but the imagination is afforded lots of room to fill in the blanks. So, be warned, this book may not be for everyone. I do think it's appropriate enough for its targeted age group, though.
It's really too bad this book is just coming out this Tuesday because I'm looking forward to the next book already! But anticipation is fun, too, so join me and let's anticipate this next great series together!
Tuesday, August 14, 2012
False Memory
False Memory, a young adult science fiction novel by Dan Krokos, is one of those 3-star books I enjoy reading in the moment but that don't intrigue me enough to follow them up when the next in the series comes out. I was actually intrigued by the set-up for the next book in this series, and if I'd had a copy on my shelf, I would have dived right into it, no problem. But by the time this one's sequel comes out, I'll have plenty of other books competing for my attention. Since I read advance reader's copies, sequels don't even cross my radar unless I make a point of looking for them after reading a story I'm not ready to let go of. Most likely, I'll never even know when the sequel to False Memory comes out.
False Memory (and I'll get to my opinion of the title in just a moment) begins with 17-year-old Miranda North waking up and not remembering who she is except for her name. She recognizes that a mall is a mall and a cop is a cop, but her past is blank. When she accidentally causes mass panic with her own mind and easily wins hand-to-hand combat, she realizes she is more than your average girl. But it all feels right, and as she returns to the only world she's ever known with a boy just like her, her memories start to come back in patches. The question is, is it enough? Her childhood friends are at odds with each other, but that's nothing compared to pressures from outside the group. Someone wants them dead while another wants to use them for nefarious purposes. Miranda's fractured mind follows along as best it can as her team deals with its troubles, but there's no doubt, some things have changed for her. Can she go back to the person she was, or is she irreparably altered into someone new?
Interesting premise. I like the whole idea of someone starting over when memory fails her. But, tell me, why, oh, why would you go and name a book with memory loss as the premise False Memory? From the beginning, I suspected Miranda's memories! The title felt like a major give-away for someone who hates spoilers. Would you name Star Wars The Boy Whose Father was Darth Vader? So, then, why would you tell us right off the bat that your main character who's struggling with her memory might be remembering things that aren't true? It doesn't make sense. I won't say whether or not it mattered in the end or if it was a real spoiler or not. The point is, it felt like a spoiler, and rather than wondering, I was just waiting for it to happen.
Title aside, there are pieces of this story, or even just lines here and there, that are confusing. If I didn't understand something, I left it and read on, and overall, the story makes good enough sense. There is just something in the writing of it that isn't completely smooth and clear.
My one other problem with the book is its treatment of death. In the opening pages, Miranda accidentally kills people. It's shocking, yes, but I don't necessarily mind the murder being present in a young adult novel. What I need to see, however, is the murderer's reactions. Is she horrified? Does she care? Does it change her? When given the opportunity, does she murder again? I'm sad to say that Miranda's character does not ace these questions. Yes, she feels awful about the initial deaths, and yes, she doesn't want to do anything like that again. But later, she easily kills people who get in her way, and she hardly thinks twice about it. She's trained to be a weapon, but especially after the loss of memories, I would think she'd be more horrified by what she's capable of. The people she kills later in the book are not civilians. They are basically nameless, faceless soldiers, but they are still humans. Does it make it okay to kill people if they would kill you first?
And here's another question the book raises and seemingly answers: is it okay to kill a few so that more don't die? Sacrifice a few for the greater good? It's still murder. I know it's not an easy question, but the lack of internal struggle over it is more of a problem to me than the presence of it in the book. Make the characters tackle the big questions; that's good. But don't raise big questions if you can't deliver an honest discussion of right and wrong. Comparatively, I was less bothered by some of the brutality in The Hunger Games. There, the discussion of good and evil is clear, and the main character has qualms about killing, even for survival.
False Memory is the equivalent of a popcorn movie. A bit of entertainment without much heavy thinking required. This book is released this month.
False Memory (and I'll get to my opinion of the title in just a moment) begins with 17-year-old Miranda North waking up and not remembering who she is except for her name. She recognizes that a mall is a mall and a cop is a cop, but her past is blank. When she accidentally causes mass panic with her own mind and easily wins hand-to-hand combat, she realizes she is more than your average girl. But it all feels right, and as she returns to the only world she's ever known with a boy just like her, her memories start to come back in patches. The question is, is it enough? Her childhood friends are at odds with each other, but that's nothing compared to pressures from outside the group. Someone wants them dead while another wants to use them for nefarious purposes. Miranda's fractured mind follows along as best it can as her team deals with its troubles, but there's no doubt, some things have changed for her. Can she go back to the person she was, or is she irreparably altered into someone new?
Interesting premise. I like the whole idea of someone starting over when memory fails her. But, tell me, why, oh, why would you go and name a book with memory loss as the premise False Memory? From the beginning, I suspected Miranda's memories! The title felt like a major give-away for someone who hates spoilers. Would you name Star Wars The Boy Whose Father was Darth Vader? So, then, why would you tell us right off the bat that your main character who's struggling with her memory might be remembering things that aren't true? It doesn't make sense. I won't say whether or not it mattered in the end or if it was a real spoiler or not. The point is, it felt like a spoiler, and rather than wondering, I was just waiting for it to happen.
Title aside, there are pieces of this story, or even just lines here and there, that are confusing. If I didn't understand something, I left it and read on, and overall, the story makes good enough sense. There is just something in the writing of it that isn't completely smooth and clear.
My one other problem with the book is its treatment of death. In the opening pages, Miranda accidentally kills people. It's shocking, yes, but I don't necessarily mind the murder being present in a young adult novel. What I need to see, however, is the murderer's reactions. Is she horrified? Does she care? Does it change her? When given the opportunity, does she murder again? I'm sad to say that Miranda's character does not ace these questions. Yes, she feels awful about the initial deaths, and yes, she doesn't want to do anything like that again. But later, she easily kills people who get in her way, and she hardly thinks twice about it. She's trained to be a weapon, but especially after the loss of memories, I would think she'd be more horrified by what she's capable of. The people she kills later in the book are not civilians. They are basically nameless, faceless soldiers, but they are still humans. Does it make it okay to kill people if they would kill you first?
And here's another question the book raises and seemingly answers: is it okay to kill a few so that more don't die? Sacrifice a few for the greater good? It's still murder. I know it's not an easy question, but the lack of internal struggle over it is more of a problem to me than the presence of it in the book. Make the characters tackle the big questions; that's good. But don't raise big questions if you can't deliver an honest discussion of right and wrong. Comparatively, I was less bothered by some of the brutality in The Hunger Games. There, the discussion of good and evil is clear, and the main character has qualms about killing, even for survival.
False Memory is the equivalent of a popcorn movie. A bit of entertainment without much heavy thinking required. This book is released this month.
Tuesday, August 7, 2012
Insignia
I wasn't sure I would enjoy this book about teenagers turned into human weapons in a military world. It all depends on the presentation. In the case of Insignia, by S.J. Kincaid, I was pleasantly surprised. The story is more about the characters than the tech, so even a person in unfamiliar territory, like I was, can figure out what's going on.
Tom is a gamer and a con. He can make a person think it's their idea that he's beating them out of all their own money until it's too late. That's why he's the perfect candidate for a school that trains teenagers to be the new soldier of World War III, a war fought entirely for resources in space by machines controlled from the ground. No bloodshed. At least, not yet. Tom jumps at the chance to leave his gambling, drinking dad and escape a life of moving from hotel to hotel in the hopes they will win big. But he's not prepared for the catch. Is he willing to give everything up to play the game of his life?
Add to this scenario a mix of interesting, likeable characters, and you have a story that's not about fighting World War III, but rather about friendships. It's funny with great dialog. It's a little techy, but just enough to be fascinating. And it's a series, so if you like it, there's more to come!
Four stars for a unique young adult novel that doesn't rely on romance (though there's still a bit) for forward drive!
Tom is a gamer and a con. He can make a person think it's their idea that he's beating them out of all their own money until it's too late. That's why he's the perfect candidate for a school that trains teenagers to be the new soldier of World War III, a war fought entirely for resources in space by machines controlled from the ground. No bloodshed. At least, not yet. Tom jumps at the chance to leave his gambling, drinking dad and escape a life of moving from hotel to hotel in the hopes they will win big. But he's not prepared for the catch. Is he willing to give everything up to play the game of his life?
Add to this scenario a mix of interesting, likeable characters, and you have a story that's not about fighting World War III, but rather about friendships. It's funny with great dialog. It's a little techy, but just enough to be fascinating. And it's a series, so if you like it, there's more to come!
Four stars for a unique young adult novel that doesn't rely on romance (though there's still a bit) for forward drive!
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