I read the book Ender's Game in preparation for watching the movie, so with that semi-fresh in my mind (read that review here), these are my thoughts on the screen adaptation.
I'm not going to go into exactly what the story is about. For that, you can read my book review or stumble upon it just about anywhere on the Internet. This will be more of a comparison review of book to movie, with emphasis on the movie.
Overall, I thought the movie stayed very true to the book with the exception that befalls all movie adaptations: that much of the book had to be compressed. Impressively, this movie is very tight and moves the plot and the action right along, clocking in at under two hours. There's no drag. On the other hand, such speed of plot leaves little room to draw out depth of character and emotion, and that's what I found lacking in the first half of this movie. If you don't already know Ender from the books, you cannot possibly grasp what he is going through in the movie. The book takes us deeply into Ender's heart and mind, and it's extremely difficult to translate something so internal into something external and visual.
(Minor SPOILERS follow in this paragraph.) I'm not sure a true translation would have been possible in the first place without making a much longer movie that might have included more of the set-up of Ender's isolation. The movie cuts out the constant set-backs Ender faces in his quest for acceptance, and without those, you don't feel his plight nearly as strongly. The movie tells us he's purposely being isolated, but it skips the parts that show it, narrowly focusing instead on the opposite: how Ender attracts his followers. Without seeing the agony of his losses, we can't fully understand the significance of his victories. In fact, if you only had the movie to go by, you would think that Ender's superior, Colonel Graff, fails in his mission to isolate Ender, but that's not quite the case in the book. So, the first half of the movie, while true to the spirit of the book, lacks some of the soul of the book.
However, the second half picked up some of the lost emotional threads I was looking for and tied them into a fabulous ending, made all the more powerful by what I already knew from the book. This is one case where I am very glad I read the book first, though sometimes I am not so finicky about that. It is possible that I read more emotion into scenes because I knew what the book contained. Even so, Asa Butterfield, except for being taller than I thought he should be (and he's definitely older than the character in the book, but to get an actor with any depth, he'd have to be), is a fantastic Ender, and he plays the emotions beautifully.
(Very minor SPOILERS in this paragraph.) In fact, I was happy with nearly all the characters. Valentine, perhaps, didn't match up with how I envisioned her, especially in the latter half of the book, but she's in the movie so little that it doesn't matter (she and Peter's roles from later in the book were one of the sacrifices made due to time constraints). Harrison Ford as Graff and Viola Davis as Anderson seemed just right. Granted, I wasn't expecting Anderson to be a woman, and Davis brings a more motherly (though still military-tough) approach to the character that I never would have envisioned from the book, but somehow it works. At least, I liked it. The other trainees with Ender don't get a ton of screen time, but we still get to see a few of the book's key moments in which certain ones become something more to Ender. However, there's no time in the movie to deal with the complications those friendships go through in the book.
Just a note about morality since that's one of my big things. I don't have anything really bad to say about the movie, but I do want to give you the basics. It's rated PG-13 for some violence and heavy thematic material. (In short, if your kid's as young as Ender is supposed to be in the story, he's probably too young to watch this!) There's bullying, manipulation, questioning of authority, calculated violence. But the whole story is one big dialog of right and wrong. For that reason, with parental guidance, of course, I think some younger ages (middle school especially) can handle, or even should be allowed to handle, this. There's a lot to talk about.
Finally, I just enjoyed the look of the movie, the tech, the battle room, the aliens. It was all well done, and nothing seemed too amiss when compared to what I had envisioned in the book.
Though the first half of the movie leaned more toward three stars for me, the second half brought it overall to four stars. When the credits finally rolled, I had shed a few tears and just needed time to process the whole thing. There's this beauty to the story that the movie manages to capture a small part of, and it's timeless too. Several decades since the book's first publication haven't lessened its relevance and impact. I'm happy to see this story on the screen, despite being only a very recent fan, but I do highly recommend that you enjoy the book first.
Saturday, November 2, 2013
Thursday, October 24, 2013
The Elite
I am almost embarrassed to say that I read The Elite, a young adult novel by Kiera Cass, in two days. It's the second installment of a series that began with The Selection, which I read and reviewed here. As you'll notice after reading that review and then this one, some of my impressions remain the same, though my overall impression seems to be improved. (I confess, re-reading that review, I seem to be a little harsher on the book than it deserves.)
But why embarrassed, exactly? The Elite has aptly been compared to reality TV. It's about young women vying for the attention of a prince as they compete toward the end goal of becoming his wife and, eventually, the queen of his country. It's like a beauty pageant meets Cinderella. And while this premise calls out to the little romantic girl in each of us (girls), it's a rather silly and shallow idea.
Granted, Cass adds depth to the story through the politics of the world she has created. Her heroine, named America (perhaps this is a callback to the freedoms of life as we know them here in the United States; the story takes place in a future world where the United States no longer exists), comes from a mid-level caste in a society where your caste is your world. America has been fortunate enough to change her caste simply by being selected for the opportunity to win the prince's hand, but questions are raised about those who are not so fortunate and what opportunities for change arise when one is in power, if one dares to take them. So, the story is not quite as much of a guilty pleasure as it initially appears on the surface.
I like the characters. They are developed and alive, even minor ones, and the major ones have concerns I can identify with. Perhaps I like the characters too much because, like America, I can't decide which boy she should end up with. And here's where the story gets annoying. Love triangles are entirely too common in young adult fiction. Maybe that's on purpose, to reflect the choices real teenagers are faced with. But in this case, the exciting possibilities of falling in love with a prince are overshadowed by America's lingering feelings regarding her former love, a guard who works at the palace. Both are great choices, even though one is poor. I like that the author makes it clear that one is just as good as the other as far as love goes, that being rich doesn't make one a better choice than the other. But the fact that there is a choice at all when America has willingly submitted to this process of trying to get the prince to love her, saps some of the excitement. It's dangerous, not fun, and though the book acknowledges this, I just couldn't shake the feeling of wrongness about it.
I'd hate to SPOIL anything, and I won't, but if you are at all worried, don't read the following line. America's dilemma ends up better than I expected it to at the end of this book. I'm not 100 percent happy with it, but I'm still interested in the story and anticipating Book 3. With my feelings on this book pulled every which way, it averages out to an enjoyable three-star read.
But why embarrassed, exactly? The Elite has aptly been compared to reality TV. It's about young women vying for the attention of a prince as they compete toward the end goal of becoming his wife and, eventually, the queen of his country. It's like a beauty pageant meets Cinderella. And while this premise calls out to the little romantic girl in each of us (girls), it's a rather silly and shallow idea.
Granted, Cass adds depth to the story through the politics of the world she has created. Her heroine, named America (perhaps this is a callback to the freedoms of life as we know them here in the United States; the story takes place in a future world where the United States no longer exists), comes from a mid-level caste in a society where your caste is your world. America has been fortunate enough to change her caste simply by being selected for the opportunity to win the prince's hand, but questions are raised about those who are not so fortunate and what opportunities for change arise when one is in power, if one dares to take them. So, the story is not quite as much of a guilty pleasure as it initially appears on the surface.
I like the characters. They are developed and alive, even minor ones, and the major ones have concerns I can identify with. Perhaps I like the characters too much because, like America, I can't decide which boy she should end up with. And here's where the story gets annoying. Love triangles are entirely too common in young adult fiction. Maybe that's on purpose, to reflect the choices real teenagers are faced with. But in this case, the exciting possibilities of falling in love with a prince are overshadowed by America's lingering feelings regarding her former love, a guard who works at the palace. Both are great choices, even though one is poor. I like that the author makes it clear that one is just as good as the other as far as love goes, that being rich doesn't make one a better choice than the other. But the fact that there is a choice at all when America has willingly submitted to this process of trying to get the prince to love her, saps some of the excitement. It's dangerous, not fun, and though the book acknowledges this, I just couldn't shake the feeling of wrongness about it.
I'd hate to SPOIL anything, and I won't, but if you are at all worried, don't read the following line. America's dilemma ends up better than I expected it to at the end of this book. I'm not 100 percent happy with it, but I'm still interested in the story and anticipating Book 3. With my feelings on this book pulled every which way, it averages out to an enjoyable three-star read.
Wednesday, October 16, 2013
Icons
Icons is my first Margaret Stohl novel. She writes young adult fiction and is the coauthor of the Beautiful Creatures series, the first book of which is now a movie (I didn't read Beautiful Creatures, but I saw the movie and was not too impressed; then again, I'm not really into witches and should have known better).
Icons is quite a different type of story, though still paranormal. Dol and Ro are not normal teenagers, and it's not just because they no longer live in a normal world. When they were infants, everything changed on The Day, when the Lords invaded from space and killed everything in 13 major cities across the globe. The survivors knew there was no hope in resistance. But Dol and Ro are special. They have abilities no one else has, abilities that feel more like curse than blessing. Dol feels everyone's emotions, and on Ro comes a rage so strong he becomes an unstoppable physical force. Only Dol can calm him. They've managed to stay out of site of the Icons and the Lords so far. But the truth of their existence is about to be revealed, and they will have to face their fears and the power of their emotions.
I enjoyed this book for the most part. The setting, though post-apocalyptic, manages to be different than what I've read before (though, granted, not much detail is given), and the paranormal powers are surprisingly (since so many books use them) unique in their presentation and use. I was intrigued about what Dol, who narrates, could or would do with her power, and information about her power is strung along little by little to pull the reader deeper into the story. Between chapters there are "classified memos" that relate to what's going on, often revealing an outside perspective to Dol's. Sometimes the memos' significance doesn't become clear until later. The story is interesting, particularly as new significant characters are added, broadening the plot.
But there was something lacking for me at the end. (Minor SPOILERS may follow.) I felt like there was the story and there was the ending: two separate things that didn't mesh well together. From a character development standpoint, it was fine. Dol got from one point to another, and all the connections were fairly clear. What wasn't as clear was the plot resolution. Not enough clues were provided on that front early on. The end just happened, and not everything necessarily followed from what had transpired earlier. Sorry for being vague, but I really try to avoid spoilers. So, there was that, and (this might be the SPOILER you want to avoid), I didn't like how the romance ended up. There's a love triangle, and I'm not sure Dol picks the right boy. It didn't make the best sense to me. I wasn't convinced of it working out that way, and I didn't understand it. So, the ending was a little rough for me.
I didn't have issues with the morals of the book, though no great attempt seems to have been made to discuss issues of morality. The biggest question raised is whether to risk lives for a chance to do greater good, but even that is not satisfactorily answered. Overall, the morality of the book is neutral, but there's nothing too offensive.
Other than that, I thought the story was unique and enjoyable and a worthy three-star beginning to a new series. Icons was published this past spring. Idols (Icons #2) will be published next summer.
Icons is quite a different type of story, though still paranormal. Dol and Ro are not normal teenagers, and it's not just because they no longer live in a normal world. When they were infants, everything changed on The Day, when the Lords invaded from space and killed everything in 13 major cities across the globe. The survivors knew there was no hope in resistance. But Dol and Ro are special. They have abilities no one else has, abilities that feel more like curse than blessing. Dol feels everyone's emotions, and on Ro comes a rage so strong he becomes an unstoppable physical force. Only Dol can calm him. They've managed to stay out of site of the Icons and the Lords so far. But the truth of their existence is about to be revealed, and they will have to face their fears and the power of their emotions.
I enjoyed this book for the most part. The setting, though post-apocalyptic, manages to be different than what I've read before (though, granted, not much detail is given), and the paranormal powers are surprisingly (since so many books use them) unique in their presentation and use. I was intrigued about what Dol, who narrates, could or would do with her power, and information about her power is strung along little by little to pull the reader deeper into the story. Between chapters there are "classified memos" that relate to what's going on, often revealing an outside perspective to Dol's. Sometimes the memos' significance doesn't become clear until later. The story is interesting, particularly as new significant characters are added, broadening the plot.
But there was something lacking for me at the end. (Minor SPOILERS may follow.) I felt like there was the story and there was the ending: two separate things that didn't mesh well together. From a character development standpoint, it was fine. Dol got from one point to another, and all the connections were fairly clear. What wasn't as clear was the plot resolution. Not enough clues were provided on that front early on. The end just happened, and not everything necessarily followed from what had transpired earlier. Sorry for being vague, but I really try to avoid spoilers. So, there was that, and (this might be the SPOILER you want to avoid), I didn't like how the romance ended up. There's a love triangle, and I'm not sure Dol picks the right boy. It didn't make the best sense to me. I wasn't convinced of it working out that way, and I didn't understand it. So, the ending was a little rough for me.
I didn't have issues with the morals of the book, though no great attempt seems to have been made to discuss issues of morality. The biggest question raised is whether to risk lives for a chance to do greater good, but even that is not satisfactorily answered. Overall, the morality of the book is neutral, but there's nothing too offensive.
Other than that, I thought the story was unique and enjoyable and a worthy three-star beginning to a new series. Icons was published this past spring. Idols (Icons #2) will be published next summer.
Thursday, October 3, 2013
A Quick Overview of Seven Young Adult Books I Read This Summer
The following young adult novels were all released this year, most of them this summer.
The Eternity Cure (Four Stars): I haven't read a lot of vampire stories, but I read the first one in this series, The Immortal Rules, by Julie Kagawa (author of The Iron Fey series), because it sounded intriguing and clean (a big must for me). I like that it leaves sex out of the story and deals with questions of right and wrong. The Eternity Cure is the second installment, and it doesn't disappoint. Allison is a young vampire who must team up with those who want to kill her in order to rescue her sire, the vampire who saved her and taught her how to survive this cruel world. She wonders, is there any hope left for the humanity in her, or will she be overcome by the monster within? Definitely worth reading if you like more edgy stuff but don't like the mixed morals that often come too.
The Testing (Four Stars): This novel, by Joelle Charbonneau, is so similar, in some ways, to The Hunger Games that some are calling it a rip-off. I think it's different enough to deserve its own credit. After all, The Hunger Games was not the first book to pit kids against one another. In The Testing, outstanding students are selected to be Tested for a chance to go to the University and get the best jobs in a post-apocalyptic/dystopian world. Cia is thrilled to be part of this opportunity, until she receives warnings from her father and others about what may be in store for her. Is there a darker reason that no one who's passed through a Testing is supposed to remember what transpired? And what happens to those who don't make it? If you are a die-hard Hunger Games fan, you will probably compare too much, but if you never got on the Hunger Games bandwagon, try this.
Reboot (Four Stars): Wren is a 178. That means she was dead for that many minutes before she was brought back as a Reboot, a weapon and a prisoner, considered less than human by the soldiers who give her orders. Dead the longest, she is also the least human, the most weapon. People fear her. She does what she's told and believes she's nearly incapable of emotion. Why, then, is the new 22, a number so small he's practically human, so intriguing to her? Reboot, by Amy Tintera, delves into what it means to be human, and it carries many of the same themes as dystopian novels (though I wouldn't consider this to be one). Still, though similar thematically to what's out there, it has a unique plot premise and is an enjoyable read.
Pivot Point (Three Stars): Addison is a member of a small community where everyone has a special mind power. Hers is to be able to see the two diverging paths a choice could lead her on and choose accordingly. But now the biggest choice of her life so far is upon her. Her parents are getting divorced, and she gets to choose whom she wants to live with: her mom within the hidden confines of their paranormal community or her dad out in the world where everyone is normal and no one uses powers in everyday life or even knows about them. In order to decide, Addison will have to go weeks into each future. The problem is, when she's there in her mind, it feels like she's there for real, and she might not be able to tell the difference. And then there are complications within each choice, decisions that will affect friends and people she's never even met...and of course the choice to erase from her mind the memories of her mental excursion into the future, once she's made her decision. How does one choose between parents and loves and evils?
I thought the premise of Pivot Point, by Kasie West, was a neat idea, and I really got into the book, especially as it wound toward the conclusion. It has a little bit of an Inception vibe to it: dream within a dream...what is real? It's a bit darker than I was expecting, and that's probably why I gave it only three stars when I read it earlier this summer.
Reached (Three Stars): This is the conclusion to Ally Condie's Matched trilogy. I enjoyed the dystopian series, though I didn't find the plot to be quite as intriguing as that of some other dystopian novels I've read, hence the three-star rating. In this third book (and I wouldn't recommend reading any further if you haven't read the other two yet and plan to; SPOILERS possible), Cassia is still undecided about the two boys she loves, but the three of them are scattered across the Society, each playing a different role in the overthrow of the Society and the beginning of The Rising. Cassia works underground for the Archivists, treasuring contraband pieces of writing. Ky is a pilot. Xander is a Medic. But a new form of the Plague causes more chaos than anybody could have dreamed, resting the hope for a better future on shaky ground.
There isn't just one reason I can pin down as to why this series wasn't outstanding to me. The love triangle annoyed me because both guys are perfectly good choices, and I hated that one of them would be disappointed and that Cassia wouldn't just make up her mind. Granted, she's more decided in this book than in the other two. Also, I thought the main characters were rather passive. They don't do anything particularly impressive. They are simply in the right place at the right time. Ky and Xander are more heroes than Cassia is and get their fair share of the spotlight, yet the central character really is Cassia, and all she can do is sort data. It's just kind of blase. Still, it's a popular series for a reason. The world is complex, and the way the Society functions and controls people is interesting.
In the After (Four Stars): In this post-apocalyptic novel, by Demitria Lunetta, the population has been nearly wiped out by an alien-looking species that's rather zombie-like in presentation. But unlike zombies, they are super fast with super hearing, and if you make even the tiniest noise, they descend as a pack and eat you to death. After three years, Amy is a seasoned survivor. She knows how to get food. She knows how to stay safe. She even has a companion, a little girl she found and took home and calls Baby, communicating through signing. She hasn't spoken aloud in years, and she's seen just enough people to know that she and Baby are better off alone. But everything Amy thought she knew about the After is about to change. I thought this was a particularly clever and well-thought-out book, even though I did anticipate the ending. The book is suspenseful with just enough mystery and clues to keep you guessing. Well written and fascinating.
Twinmaker (Three Stars): In Sean Williams's dystopian future, Clair and her friends daily go to school across the globe and can visit any place they wish in a matter of minutes. Technology can produce anything they want automatically per their specifications. Who needs to own possessions when you can get new ones exactly the same or better, if you wish, anytime you want? This instantaneous gratification is made possible by a technology that d-mats (dematerializes) objects, including people, and produces them exactly as they were in new locations. The one rule is that people must rematerialize exactly as they were, so everyone believes Improvement (a circulating note that says you can improve your looks by following specific instructions in d-mat) is just a prank...until Clair's friend Libby tries it and appears to succeed. But Libby is different after, and Clair's determination to find out why is about to d-mat her entire world.
I liked the concept. The suspense and mystery were interesting. I found the final revelations and explanations to be a little nonsensical, a little wibbly-wobbly or timey-wimey, as the Doctor (Doctor Who) might say. The story didn't come to a strong, believable resolution for me. There were logic gaps I couldn't make sense of in my mind. But getting there is half the fun, and this is quite a good journey.
The Eternity Cure (Four Stars): I haven't read a lot of vampire stories, but I read the first one in this series, The Immortal Rules, by Julie Kagawa (author of The Iron Fey series), because it sounded intriguing and clean (a big must for me). I like that it leaves sex out of the story and deals with questions of right and wrong. The Eternity Cure is the second installment, and it doesn't disappoint. Allison is a young vampire who must team up with those who want to kill her in order to rescue her sire, the vampire who saved her and taught her how to survive this cruel world. She wonders, is there any hope left for the humanity in her, or will she be overcome by the monster within? Definitely worth reading if you like more edgy stuff but don't like the mixed morals that often come too.
The Testing (Four Stars): This novel, by Joelle Charbonneau, is so similar, in some ways, to The Hunger Games that some are calling it a rip-off. I think it's different enough to deserve its own credit. After all, The Hunger Games was not the first book to pit kids against one another. In The Testing, outstanding students are selected to be Tested for a chance to go to the University and get the best jobs in a post-apocalyptic/dystopian world. Cia is thrilled to be part of this opportunity, until she receives warnings from her father and others about what may be in store for her. Is there a darker reason that no one who's passed through a Testing is supposed to remember what transpired? And what happens to those who don't make it? If you are a die-hard Hunger Games fan, you will probably compare too much, but if you never got on the Hunger Games bandwagon, try this.
Reboot (Four Stars): Wren is a 178. That means she was dead for that many minutes before she was brought back as a Reboot, a weapon and a prisoner, considered less than human by the soldiers who give her orders. Dead the longest, she is also the least human, the most weapon. People fear her. She does what she's told and believes she's nearly incapable of emotion. Why, then, is the new 22, a number so small he's practically human, so intriguing to her? Reboot, by Amy Tintera, delves into what it means to be human, and it carries many of the same themes as dystopian novels (though I wouldn't consider this to be one). Still, though similar thematically to what's out there, it has a unique plot premise and is an enjoyable read.
Pivot Point (Three Stars): Addison is a member of a small community where everyone has a special mind power. Hers is to be able to see the two diverging paths a choice could lead her on and choose accordingly. But now the biggest choice of her life so far is upon her. Her parents are getting divorced, and she gets to choose whom she wants to live with: her mom within the hidden confines of their paranormal community or her dad out in the world where everyone is normal and no one uses powers in everyday life or even knows about them. In order to decide, Addison will have to go weeks into each future. The problem is, when she's there in her mind, it feels like she's there for real, and she might not be able to tell the difference. And then there are complications within each choice, decisions that will affect friends and people she's never even met...and of course the choice to erase from her mind the memories of her mental excursion into the future, once she's made her decision. How does one choose between parents and loves and evils?
I thought the premise of Pivot Point, by Kasie West, was a neat idea, and I really got into the book, especially as it wound toward the conclusion. It has a little bit of an Inception vibe to it: dream within a dream...what is real? It's a bit darker than I was expecting, and that's probably why I gave it only three stars when I read it earlier this summer.
Reached (Three Stars): This is the conclusion to Ally Condie's Matched trilogy. I enjoyed the dystopian series, though I didn't find the plot to be quite as intriguing as that of some other dystopian novels I've read, hence the three-star rating. In this third book (and I wouldn't recommend reading any further if you haven't read the other two yet and plan to; SPOILERS possible), Cassia is still undecided about the two boys she loves, but the three of them are scattered across the Society, each playing a different role in the overthrow of the Society and the beginning of The Rising. Cassia works underground for the Archivists, treasuring contraband pieces of writing. Ky is a pilot. Xander is a Medic. But a new form of the Plague causes more chaos than anybody could have dreamed, resting the hope for a better future on shaky ground.
There isn't just one reason I can pin down as to why this series wasn't outstanding to me. The love triangle annoyed me because both guys are perfectly good choices, and I hated that one of them would be disappointed and that Cassia wouldn't just make up her mind. Granted, she's more decided in this book than in the other two. Also, I thought the main characters were rather passive. They don't do anything particularly impressive. They are simply in the right place at the right time. Ky and Xander are more heroes than Cassia is and get their fair share of the spotlight, yet the central character really is Cassia, and all she can do is sort data. It's just kind of blase. Still, it's a popular series for a reason. The world is complex, and the way the Society functions and controls people is interesting.
In the After (Four Stars): In this post-apocalyptic novel, by Demitria Lunetta, the population has been nearly wiped out by an alien-looking species that's rather zombie-like in presentation. But unlike zombies, they are super fast with super hearing, and if you make even the tiniest noise, they descend as a pack and eat you to death. After three years, Amy is a seasoned survivor. She knows how to get food. She knows how to stay safe. She even has a companion, a little girl she found and took home and calls Baby, communicating through signing. She hasn't spoken aloud in years, and she's seen just enough people to know that she and Baby are better off alone. But everything Amy thought she knew about the After is about to change. I thought this was a particularly clever and well-thought-out book, even though I did anticipate the ending. The book is suspenseful with just enough mystery and clues to keep you guessing. Well written and fascinating.
Twinmaker (Three Stars): In Sean Williams's dystopian future, Clair and her friends daily go to school across the globe and can visit any place they wish in a matter of minutes. Technology can produce anything they want automatically per their specifications. Who needs to own possessions when you can get new ones exactly the same or better, if you wish, anytime you want? This instantaneous gratification is made possible by a technology that d-mats (dematerializes) objects, including people, and produces them exactly as they were in new locations. The one rule is that people must rematerialize exactly as they were, so everyone believes Improvement (a circulating note that says you can improve your looks by following specific instructions in d-mat) is just a prank...until Clair's friend Libby tries it and appears to succeed. But Libby is different after, and Clair's determination to find out why is about to d-mat her entire world.
I liked the concept. The suspense and mystery were interesting. I found the final revelations and explanations to be a little nonsensical, a little wibbly-wobbly or timey-wimey, as the Doctor (Doctor Who) might say. The story didn't come to a strong, believable resolution for me. There were logic gaps I couldn't make sense of in my mind. But getting there is half the fun, and this is quite a good journey.
Monday, September 30, 2013
Blackout
I read a decent number of good books this summer, but I don't know if I'll get to review those for you. For now, I'm going to try to keep up with what I'm reading at the moment.
I just finished Blackout, a young adult novel by Robison Wells, which I picked up not only for its sci-fi premise but also because I enjoyed another book by the same author: Variant. These two books aren't in the same series, and though I'd like to, I haven't yet read Feedback, the sequel to Variant.
Blackout is not quite as suspenseful as Variant, but it's intriguing nonetheless. The book is about a virus that attacks only teenagers, giving them superpowers as well as some not-as-nice side-effects. It doesn't take long for the whole country to go on high alert as teenage terrorists attack power and landmarks across the entire continent. When the army steps in, Jack and Aubrey are caught in the middle, two teenagers who don't know what's going on even though they are being treated as criminals already. But the questions they must answer are, who are the terrorists, and who is the real enemy?
I enjoyed this book well enough but found that there were too many reveals along the way for the end to really have the impact I think the author wanted. I wasn't all that surprised by it. What I did find kind of interesting, though I'm not sure of its purpose, was that parts of the book were from the terrorists' viewpoints. I didn't mind getting in their heads, but I couldn't quite understand what I was supposed to do with the info. Was I supposed to feel a sort of sympathy for them? Was I supposed to identify with them? I didn't. I couldn't understand them at all, really. Getting in their heads also lessened the suspense for me, I think. All the big reveals were essentially given through their thoughts before the end.
I also didn't initially care a lot about or identify with the main characters, Jack and Aubrey, one of whom uses her abilities to shoplift and be in with the popular crowd, but the characters grew on me as the book progressed. Obviously, the author isn't a proponent of Aubrey's criminal activity or treatment of her not-as-popular friends but is just showing the more social side-effects of obtaining these powers.
Overall, it was a fun read with interesting powers and a nice caveat to being able to use them (the more virus-like symptoms that appeared with the use of the superpowers). Three stars.
I just finished Blackout, a young adult novel by Robison Wells, which I picked up not only for its sci-fi premise but also because I enjoyed another book by the same author: Variant. These two books aren't in the same series, and though I'd like to, I haven't yet read Feedback, the sequel to Variant.
Blackout is not quite as suspenseful as Variant, but it's intriguing nonetheless. The book is about a virus that attacks only teenagers, giving them superpowers as well as some not-as-nice side-effects. It doesn't take long for the whole country to go on high alert as teenage terrorists attack power and landmarks across the entire continent. When the army steps in, Jack and Aubrey are caught in the middle, two teenagers who don't know what's going on even though they are being treated as criminals already. But the questions they must answer are, who are the terrorists, and who is the real enemy?
I enjoyed this book well enough but found that there were too many reveals along the way for the end to really have the impact I think the author wanted. I wasn't all that surprised by it. What I did find kind of interesting, though I'm not sure of its purpose, was that parts of the book were from the terrorists' viewpoints. I didn't mind getting in their heads, but I couldn't quite understand what I was supposed to do with the info. Was I supposed to feel a sort of sympathy for them? Was I supposed to identify with them? I didn't. I couldn't understand them at all, really. Getting in their heads also lessened the suspense for me, I think. All the big reveals were essentially given through their thoughts before the end.
I also didn't initially care a lot about or identify with the main characters, Jack and Aubrey, one of whom uses her abilities to shoplift and be in with the popular crowd, but the characters grew on me as the book progressed. Obviously, the author isn't a proponent of Aubrey's criminal activity or treatment of her not-as-popular friends but is just showing the more social side-effects of obtaining these powers.
Overall, it was a fun read with interesting powers and a nice caveat to being able to use them (the more virus-like symptoms that appeared with the use of the superpowers). Three stars.
Wednesday, September 18, 2013
Ender's Game
I'm back! It's been a crazy busy summer, and though I've been reading less than normal, I still have a handful of books and more than a handful of movies to potentially review. For now, I will start with the latest book I've read and possibly work backward from there, if life permits.
After enjoying Pathfinder, by Orson Scott Card, some friends encouraged me to also read Ender's Game, by the same author. But I confess, though I put it on my list, I didn't get seriously interested until I knew a movie adaptation was going to be made. Then, the only question was, should I read it beforehand or after? There are distinct advantages to each for a person who loves both movies and books. I opted for the book first this time, wanting to get into it and be surprised as I read, rather than getting the surprises out of the way in two hours and then going back and reading about how it all took place. I don't like spoilers. Having read it this close to when the movie comes out, I suppose I will probably be slightly disappointed with the movie. It's best to put some time between a book and a movie, I think. That way, you can enjoy both more fully and give the movie credit for being its own thing, rather than comparing two different story mediums that really aren't meant to be the same. On a side note, that's why I'm not going back and re-reading Catching Fire before the movie comes out in November. I don't remember much of the book, so the story will be fresh for me again. Then, I'll go back and enjoy a more leisurely pace through the details of the book afterward.
Ender's Game did not disappoint. It's an interesting genre, definitely science fiction but not necessarily young adult (and for sure not middle school), even though the story is about a young kid. Often, when you have a young protagonist, the book is automatically categorized as young adult, and perhaps that exactly what Ender's Game is to some, but it's a good example of a story that transcends both age limits and, almost miraculously for sci-fi, time periods. For instance, it was written in the 70's, but there's a very good grasp of the possibilities of computer technology and virtual reality. It's also just vague enough not to date itself, at least not too much.
Ender's Game is about a six-year-old boy, nicknamed Ender, who's a genius selected for training in Battle School to defeat a race of aliens called Buggers that almost wiped Earth out at one time. The theory is that a child with an adaptable mind is needed to confront the enemy, who anticipates actions and adapts quickly itself. So, little boys are monitored, and if they qualify, they are sent to space to train in battle games and learn how to work together or, in Ender's case, to lead. The odds are purposefully stacked against Ender to draw out his strengths as quickly as possible because the final war with the Buggers is nearly upon them, and it's kill all or all be killed.
What sets this book apart from young adult is that it's not written to a six-year-old audience. It's barely written to a young adult audience. In fact, Ender thinks and speaks like a middle school child at only 6, and there's precious little for same-age readers (even middle schoolers) to identify with in his character. Yet, we do identify with him. He's not just a machine. He's a boy who grows up too fast and lives with the weight of the planet on his shoulders but who doesn't want to end up like his evil older brother. He knows he's not a child. He knows it's not even really a possibility. But he does long for friends, and he hates the way he's forced to dominate his competition, isolating him from his peers. This book is powerful on both thematic and emotional levels, drawing tears to my eyes as I read. There isn't even romance, which is the typical tear-jerker stuff for me. It's about the bonds built between boys and peers and the bond of brother to brother and brother to sister and teacher to student and boy to duty. It's deep and heart-wrenching. It's intellectual. It's suspenseful. It's fascinating.
For its relatability to a different generation (which is extremely difficult to achieve in science fiction), for it's innovative ideas (before kids killed each other in the The Hunger Games, little children trained their childhood away in order to eventually command starships and fight aliens), for its emotional depth, and for its compelling tale, I give Ender's Game five stars and look forward to seeing how they pull it off in the movie this November, knowing it can't possibly be the same, by a long shot. However you choose to order your story mediums, be sure that if you watch the movie, you also read the book. In this case, I believe the experiences are going to be quite a bit different, and you want to get the full story, trust me.
ADDENDUM (9-25-13): If you have already read this blog once, you might notice that I changed a line in the last paragraph that could have potentially been a spoiler. I figure most people will avoid reading a review of something they are already intending to read or see, but for those of you on the line, I don't want to give away too much.
After enjoying Pathfinder, by Orson Scott Card, some friends encouraged me to also read Ender's Game, by the same author. But I confess, though I put it on my list, I didn't get seriously interested until I knew a movie adaptation was going to be made. Then, the only question was, should I read it beforehand or after? There are distinct advantages to each for a person who loves both movies and books. I opted for the book first this time, wanting to get into it and be surprised as I read, rather than getting the surprises out of the way in two hours and then going back and reading about how it all took place. I don't like spoilers. Having read it this close to when the movie comes out, I suppose I will probably be slightly disappointed with the movie. It's best to put some time between a book and a movie, I think. That way, you can enjoy both more fully and give the movie credit for being its own thing, rather than comparing two different story mediums that really aren't meant to be the same. On a side note, that's why I'm not going back and re-reading Catching Fire before the movie comes out in November. I don't remember much of the book, so the story will be fresh for me again. Then, I'll go back and enjoy a more leisurely pace through the details of the book afterward.
Ender's Game did not disappoint. It's an interesting genre, definitely science fiction but not necessarily young adult (and for sure not middle school), even though the story is about a young kid. Often, when you have a young protagonist, the book is automatically categorized as young adult, and perhaps that exactly what Ender's Game is to some, but it's a good example of a story that transcends both age limits and, almost miraculously for sci-fi, time periods. For instance, it was written in the 70's, but there's a very good grasp of the possibilities of computer technology and virtual reality. It's also just vague enough not to date itself, at least not too much.
Ender's Game is about a six-year-old boy, nicknamed Ender, who's a genius selected for training in Battle School to defeat a race of aliens called Buggers that almost wiped Earth out at one time. The theory is that a child with an adaptable mind is needed to confront the enemy, who anticipates actions and adapts quickly itself. So, little boys are monitored, and if they qualify, they are sent to space to train in battle games and learn how to work together or, in Ender's case, to lead. The odds are purposefully stacked against Ender to draw out his strengths as quickly as possible because the final war with the Buggers is nearly upon them, and it's kill all or all be killed.
What sets this book apart from young adult is that it's not written to a six-year-old audience. It's barely written to a young adult audience. In fact, Ender thinks and speaks like a middle school child at only 6, and there's precious little for same-age readers (even middle schoolers) to identify with in his character. Yet, we do identify with him. He's not just a machine. He's a boy who grows up too fast and lives with the weight of the planet on his shoulders but who doesn't want to end up like his evil older brother. He knows he's not a child. He knows it's not even really a possibility. But he does long for friends, and he hates the way he's forced to dominate his competition, isolating him from his peers. This book is powerful on both thematic and emotional levels, drawing tears to my eyes as I read. There isn't even romance, which is the typical tear-jerker stuff for me. It's about the bonds built between boys and peers and the bond of brother to brother and brother to sister and teacher to student and boy to duty. It's deep and heart-wrenching. It's intellectual. It's suspenseful. It's fascinating.
For its relatability to a different generation (which is extremely difficult to achieve in science fiction), for it's innovative ideas (before kids killed each other in the The Hunger Games, little children trained their childhood away in order to eventually command starships and fight aliens), for its emotional depth, and for its compelling tale, I give Ender's Game five stars and look forward to seeing how they pull it off in the movie this November, knowing it can't possibly be the same, by a long shot. However you choose to order your story mediums, be sure that if you watch the movie, you also read the book. In this case, I believe the experiences are going to be quite a bit different, and you want to get the full story, trust me.
ADDENDUM (9-25-13): If you have already read this blog once, you might notice that I changed a line in the last paragraph that could have potentially been a spoiler. I figure most people will avoid reading a review of something they are already intending to read or see, but for those of you on the line, I don't want to give away too much.
Thursday, July 25, 2013
The Unremarkable Squire (Available Now!)
In honor of the publication of my husband's latest book, The Unremarkable Squire, I am re-posting for your viewing pleasure a piece of the review I wrote when the book was still a manuscript. The original review can be found here. The Unremarkable Squire is published by Barking Rain Press and can be found on Amazon or on special request from your local book dealer for $13.95 in paperback or $5.95 as an eBook. You may also get the book directly from the publisher and sign up to read the first four chapters free!
If you know Nick and would rather get a signed copy straight from him, contact him on The Works of Nick Hayden Facebook page, and visit worksofnick.com to keep updated on book signings and the like.
We've all read or watched or heard the stories of knights and princesses, fantasy tales with strong heroes and beautiful heroines. The Unremarkable Squire is like the behind-the-scenes version, casting all the extras and misfits as its main characters. The squire himself is Obed Kainos, a boy approaching manhood, who lives a simple life and keeps to himself and is thrust into service quite accidentally.
What follows is high adventure, taken on by the lowest and humblest (or not) cast of characters, comprised of servants, thieves, bumbling guards, and monsters. Though much like a spoof with the driest of humor liberally flavoring it, the plot is also serious, kept so by the deeply introverted Obed, who swears a squire's oath and means to follow it to the letter, no matter what. He fights mages and thieves, even death, as he learns what it means to be a squire and what it means to be human.
Obed is unique because, unlike other heroes whose motivations for acting the way they do are obvious, Obed isn't really motivated in the normal way. He is a boy who does what he must because he said he would. An apparently boring character becomes a fascinating hero as nothing deters him from his mission.
Nick Hayden can't write a normal story, and that's why you should read him. You will find yourself intrigued by the simplest of people and laughing until the very last line.
If you know Nick and would rather get a signed copy straight from him, contact him on The Works of Nick Hayden Facebook page, and visit worksofnick.com to keep updated on book signings and the like.
We've all read or watched or heard the stories of knights and princesses, fantasy tales with strong heroes and beautiful heroines. The Unremarkable Squire is like the behind-the-scenes version, casting all the extras and misfits as its main characters. The squire himself is Obed Kainos, a boy approaching manhood, who lives a simple life and keeps to himself and is thrust into service quite accidentally.
What follows is high adventure, taken on by the lowest and humblest (or not) cast of characters, comprised of servants, thieves, bumbling guards, and monsters. Though much like a spoof with the driest of humor liberally flavoring it, the plot is also serious, kept so by the deeply introverted Obed, who swears a squire's oath and means to follow it to the letter, no matter what. He fights mages and thieves, even death, as he learns what it means to be a squire and what it means to be human.
Obed is unique because, unlike other heroes whose motivations for acting the way they do are obvious, Obed isn't really motivated in the normal way. He is a boy who does what he must because he said he would. An apparently boring character becomes a fascinating hero as nothing deters him from his mission.
Nick Hayden can't write a normal story, and that's why you should read him. You will find yourself intrigued by the simplest of people and laughing until the very last line.
Subscribe to:
Posts (Atom)